and Printer's Ink, that naïve journal of the publicity professions. His favourite diversion was luncheon at the Advertising Club where he would pore, fascinated, over displays of advertising booklets, posters, and pamphlets with such titles as Tell Your Story in Bold-Face. He was accustomed to remark that "the fellow who writes the Packard ads has Ralph Waldo Emerson skinned three ways from the Jack." Yet much must be forgiven this young man for his love of O. Henry. He knew, what many other happy souls have found, that O. Henry is one of those rare and gifted tellers of tales who can be read at all times. No matter how weary, how depressed, how shaken in morale, one can always find enjoyment in that master romancer of the Cabarabian Nights. "Don't talk to me of Dickens' Christmas Stories," Aubrey said to himself, recalling his adventure in Brooklyn. "I'll bet O. Henry's Gift of the Magi beats anything Dick ever laid pen to. What a shame he died without finishing that Christmas story in Rolling Stones! I wish some boss writer like Irvin Cobb or Edna Ferber would take a hand at finishing it. If I were an editor I'd hire someone to wind up that yarn. It's a crime to have a good story like that lying around half written."
He was sitting in a soft wreath of cigarette
