with repetition of some previous words in danger of being forgotten.
7. It is now idle to attempt to hide the fact that never was the Russian lack of science, of the modern spirit, or, to speak frankly, of intelligence—never was the absence of training or of enthusiasm which retards the efforts of the whole Empire displayed in a more melancholy fashion than in the Sea of Japan.–Times. (Add a comma after intelligence)
f. Giving the air of an afterthought to a final comment that would spoil the balance of the sentence if preceded only by an ordinary stop. Justifiable when really wanted, that is, it is important to keep the comment till the end; otherwise it is slightly insulting to the reader, implying that he was not worth working out the sentence for before it was put down.
8. As they parted, she insisted on his giving the most solemn promises that he would not expose himself to danger—which was quite unnecessary.
g. Marking a change of speakers when quotation marks and 'he said', &c., are not used; or, in a single speech, a change of subject or person addressed.
9. Who created you?—God.–B.
10. ...And lose the name of action.—Soft you now!
The fair Ophelia!
h. With colon or other stop before a quotation.
11. Hear Milton:—How charming is divine Philosophy!
12. What says Bacon?—Revenge is a kind of wild justice.
i. Introducing a list.
13. The four greatest names in English literature are almost the first we come to,—Chaucer, Spenser, Shakespeare, and Milton.–B. (Omit the comma before the dash)
k. Confessing an anacoluthon, or substitution of a new construction for the one started with.
14. Then the eye of a child,—who can look unmoved into that well undefiled, in which heaven itself seems to be reflected?—Bigelow. (Omit the comma)
l. Breaking off a sentence altogether.
15. Oh, how I wish—! But what is the use of wishing?
