which we were surrounded, who would answer my purpose. Nor could I fix my mind upon any person in other parts of the world, whom I knew or had known, who resembled the idea I had formed of our heroine. After thinking this matter over a good deal, I told Miss Vancouver that I believed the best thing I could do would be to take her for my model. I was with her a good deal, and thus could study out and work up certain points as I wrote, which would be a great advantage. She objected to this, because, as she said, the author of a story should not be drawn as its heroine. But I asserted that this would not be the case. She would merely suggest the heroine to me, and I would so do my work that the heroine would not suggest her to anybody else. This, I thought, was the way in which a model ought to be used. After we had talked the subject over a good deal, she agreed to my plan, and I went to work with much satisfaction. I gave no definite description of the lady, but endeavored to indicate the impression which her person and character produced upon me. As such impressions are seldom the same in any two cases, there was no danger that my description could be referred back to her.
When I read to her the sketch I had written, she objected to parts of it as not being correct; but as I asserted that it was not intended as an exact copy of the model, she could not say it was not a true picture; and so, with some slight modifications, we let it stand. I thought myself that it was a very good piece of work. To me it seemed very life-like and piquant, and I believed that other people would think it so.
