Figaro, "Porgi, amor, qualche ristoro," in which the deserted Countess laments the change of the faithless Almaviva. The soul of tender sorrow is breathed forth in this strain; and the sweet voice of Idris, sustained by the mournful chords of her instrument, added to the expression of the words. During the pathetic appeal with which it concludes, a stifled sob attracted our attention to Perdita, the cessation of the music recalled her to herself, she hastened out of the hall—I followed her. At first, she seemed to wish to shun me; and then, yielding to my earnest questioning, she threw herself on my neck, and wept aloud:—"Once more," she cried, "once more on your friendly breast, my beloved brother, can the lost Perdita pour forth her sorrows. I had imposed a law of silence on myself; and for months I have kept it. I do wrong in weeping now, and greater wrong in giving words to my grief. I will not speak! Be ⟨it⟩ enough for you to know that I am miserable⟨—⟩be it enough for you to know, that the painted
