countenance over-balanced every physical defect; the crooked mouth and the large nose were forgotten, and the whole face arrested the attention, and presently attracted all those whom she herself would have cared to attract. Her hands and feet were the smallest I ever saw; when one of the former was placed in mine, it was like the soft touch of a bird in the middle of my palm. The delicate long fingers had a peculiar fineness of sensation, which was one reason why all her handiwork, of whatever kind—writing, sewing, knitting—was so clear in its minuteness. She was remarkably neat in her whole personal attire; but she was dainty as to the fit of her shoes and gloves.
I can well imagine that the grave serious composure, which, when I knew her, gave her face the dignity of an old Venetian portrait, was no acquisition of later years, but dated from that early age when she found herself in the position of an elder sister to motherless children. But in a girl only just entered on her teens, such an expression would be called, (to use a country phrase) "old-fashioned;" and in 1831, the period of which I now write, we must think of her as a little, set, antiquated girl, very quiet in manners, and very quaint in dress; for, besides the influence exerted by her father's ideas concerning the simplicity of attire befitting the wife and daughters of a country clergyman (as evinced in his destruction of the coloured boots and the silk gown), her aunt, on whom the duty of dressing her nieces principally devolved, had never been in society since she left Penzance, eight or nine years
