. . . . . . ". . . . . . The little Irish beggar that comes barefoot to my door; the mouse that steals out of the cranny in my wainscot; the bird in frost and snow that pecks at my window for a crumb; the dog that licks my hand and sits beside my knee. . . . . I know somebody to whose knee the black cat loves to climb, against whose shoulder and cheek it likes to purr. The old dog always comes out of his kennel and wags his tail, and whines affectionately when somebody passes." [For "somebody" and "he," read "Charlotte Brontë" and "she."] "He quietly strokes the cat, and lets her sit while he conveniently can; and when he must disturb her by rising, he puts her softly down, and never flings her from him roughly: he always whistles to the dog, and gives him a caress."
The feeling, which in Charlotte partook of something of the nature of an affection, was, with Emily, more of a passion. Some one speaking of her to me, in a careless kind of strength of expression, said, "she never showed regard to any human creature; all her love was reserved for animals." The helplessness of an animal was its passport to Charlotte's heart; the fierce, wild, intractability of its nature was what often recommended it to Emily. Speaking of her dead sister, the former told me that from her many traits in Shirley's character were taken; her way of sitting on the rug reading, with her arm round her rough bull-dog's neck; her calling to a strange dog, running past, with hanging head and lolling tongue, to give it a merciful draught
