points. It is evident that unknown authors have great difficulties to contend with, before they can succeed in bringing their works before the public. Can you give me any hint as to the way in which these difficulties are best met? For instance, in the present case, where a work of fiction is in question, in what form would a publisher be most likely to accept the MS.? Whether offered as a work of three vols., or as tales which might be published in numbers, or as contributions to a periodical?
"What publishers would be most likely to receive favourably a proposal of this nature?
"Would it suffice to write to a publisher on the subject, or would it be necessary to have recourse to a personal interview?
"Your opinion and advice on these three points, or on any other which your experience may suggest as important, would be esteemed by us as a favour."
It is evident from the whole tenor of this correspondence, that the truthfulness and probity of the firm of publishers with whom she had to deal in this her first literary venture, was strongly impressed upon her mind, and was followed by the inevitable consequence of reliance on their suggestions. And the progress of the poems was not unreasonably lengthy or long drawn out. On April 20th she writes to desire that three copies may be sent to her, and that Messrs. Aylott will advise her as to the reviewers to whom copies ought to he sent.
I give the next letter as illustrating the ideas of these
