its way so repugnant, that one feels half inclined to smile when called upon to sentimentalize over the lot of a youth forced to pass from one to the other; torn from the stables, to be ushered perhaps into the ball-room. Jack dies mournfully indeed, and you are sorry for the poor fellow's untimely end; but you cannot forget that, if he had not been thrust into the way of Colonel Penruddock's weapon, he might possibly have broken his neck in a fox-hunt. The character of Sir Thomas Warren is excellent; consistent throughout. That of Mr. Addison not bad, but sketchy, a mere outline—wanting colour and finish. The man's portrait is there, and his costume, and fragmentary anecdotes of his life; but where is the man's nature—soul and self? I say nothing about the female characters—not one word; only that Lydia seems to me like a pretty little actress, prettily dressed, gracefully appearing and disappearing, and reappearing in a genteel comedy, assuming the proper sentiments of her part with all due tact and naïveté, and—that is all.
"Your description of the model man of business is true enough, I doubt not; but we will not fear that society will ever be brought quite to this standard; human nature (bad as it is) has, after all, elements that forbid it. But the very tendency to such a consummation—the marked tendency, I fear, of the day—produces, no doubt, cruel suffering. Yet, when the evil of competition passes a certain limit, must it not in time work its own cure? I suppose it will, but then through some convulsed crisis, shattering all around it like an earth-
