The Hole In the Wall
"Oh, but my brother has dressed up!" cried the girl. "Very much so. No end, if I may say so. Why he's bearing down on you now in all his glory."
The noble lord was indeed marching toward them in a magnificent sixteenth-century costume of purple and gold, with a gold-hilted sword and a plumed cap, and manners to match. Indeed, there was something more than his usual expansiveness of bodily action in his appearance at that moment. It almost seemed, so to speak, that the plumes on his hat had gone to his head. He flapped his great, gold-lined cloak like the wings of a fairy king in a pantomime; he even drew his sword with a flourish and waved it about as he did his walking stick. In the light of after events there seemed to be something monstrous and ominous about that exuberance, something of the spirit that is called fey. At the time it merely crossed a few people's minds that he might possibly be drunk.
As he strode toward his sister the first figure he passed was that of Leonard Crane, clad in Lincoln green, with the horn and baldrick and sword appropriate to Robin Hood; for he was standing nearest to the lady, where, indeed, he might have been found during a disproportionate part of the time. He had displayed one of his buried talents in the matter of skating, and now that the skating was over seemed disposed to
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