here as in other parts of the province; but it seemed to be a growing fashion to substitute rational amusements for the processions and mummeries of the saints' days. The young folks are very musical, the principal instruments in use being the flute, violin, Spanish guitar, and a small four-stringed viola, called cavaquinho. During the early part of my stay at Santarem, a little party of instrumentalists, led by a tall, thin, ragged mulatto, who was quite an enthusiast in his art, used frequently to serenade their friends in the cool and brilliant moonlit evenings of the dry season, playing French and Italian marches and dance music with very good effect. The guitar was the favourite instrument with both sexes, as at Pará; the piano, however, is now fast superseding it. The ballads sung to the accompaniment of the guitar were not learnt from written or printed music, but communicated orally from one friend to another. They were never spoken of as songs, but modinhas, or "little fashions," each of which had its day, giving way to the next favourite brought by some young fellow from the capital. At festival times there was a great deal of masquerading, in which all the people, old and young, white, negro, and Indian, took great delight. The best things of this kind used to come off during the Carnival, in Easter week, and on St. John's eve; the negroes having a grand semi-dramatic display in the streets at Christmas time. The more select affairs were got up by the young whites, and coloured men associating with whites. A party of thirty or forty of these used to dress themselves in uniform style, and in very good taste, as cavaliers and dames, each
