the more prolonged since it was thoroughly in temper with an eager generation. The French Revolution led to a perception of the insufficiency and brutalism of contemporary systems. Rebellion was in the air, and a craving for some escape Byron and his period.to political, spiritual, and social freedom. Byron pointed out the paths by land and sea to a proud solitude, to a refuge with nature and art which the blunted public taste had long forgotten, and he sang so eloquently withal that he drew more than a third part of the rising stars of Europe after him. Their leader is the typical bard of self-expression, not only for the superb natural strength, and directness, and passion of a lyrical genius that forces us to bear with its barbaric ignorance of both art and realism, but because he sustained it to the end of his career in a purely romantic atmosphere. This pervades even the kaleidoscopic "Don Juan," the main achievement of his ripest years, strengthened as it is by the vigor of which humor is the surplusage and an easy-going tolerance the disposition. It must always be considered, in so far as his development was arrested, that Byron was a lord, born and bred in the British Philistinism against which his nature protested, and that the protest was continued because the fortress did not yield to assault. And he had no Byron for a predecessor, as an object-lesson in behalf of naturalness and common sense.
Shelley, who came and went like a spirit, and whose poetry seemed the aureole of a strayed vis-
