Page:The nature and elements of poetry, Stedman, 1892.djvu/239

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"A MOTION AND A SPIRIT"
209

"A waning moon is so melancholy," said Felicia, looking at it with wide, soft eyes that had grown melancholy, too. "I wonder why?"

"I don't see that it is melancholy," Grafton declared.

"No, I suppose not," she rejoined. "I dare say you see a planet which suggests to you apogee, or perigee, or something wise. I see only the rising moon, and it seems to me particularly ominous to-night. I am afraid. Something unexpected perhaps something terrible is going to happen."

You will note, by the way, that our débutante is scientifically accurate upon a matter in respect and this in spite of our scientific resdjustment.to which many a good writer has gone wrong. She sees the moon where it should be of an evening in its third quarter,—to wit, rising in the east. Giving the author of "Felicia" credit for this unusual feat, I believe that reason never can greatly lessen the influence of nature upon our feelings, and this in spite of her stolid indifference, her want of compassion, her stern laws, her unfairness, unreason, and general unmorality. To the last, man will be awed by the ocean and saddened by the waning moon, and will find the sun-kissed waves sparkling with his joy, and the stars of even looking down upon his love. One may conceive, moreover, that before a vast and various landscape we are affected by the very presence of divinity revealed only in his works; that, face to face with such an expanse of nature, we recognize more of a pervading spirit than when more closely pent: