Page:The nature and elements of poetry, Stedman, 1892.djvu/326

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THE FACULTY DIVINE

worthy art must originate if at all. As for the new learning—

"Say, has the iris of the murmuring shell
A charm the less because we know full well
Sweet Nature's trick? Is Music's dying fall
Less finely blent with strains antiphonal
Because within a harp's quick vibratings
We count the tremor of the spirit's wings?
There is a path by Science yet untrod
Where with closed eyes we walk to find out God.
Still, still, the unattained ideal lures,
The spell evades, the splendor yet endures;
False sang the poet,—there is no good in rest,
And Truth still leads us to a deeper quest."

For one, I believe that the best age of imaginative production is not past; that poetry is to retain, as of old, its literary import, and from time to time to prove itself a force in national life; that the Concord optimist and poet was sane in declaring that "the arts, as we know them, are but initial," that "sooner or later that which is now life shall be poetry, and every fair and manly trait shall add a richer strain to the song."


And now, after all that has been said in our consideration Thoughts in conclusion.of the nature of poetry, and although this has been restricted closely to its primal elements, I am sensible of having merely touched upon an inexhaustible theme; that my comments have been only "words along the way." Meanwhile the press teems with criticism, our time