Page:The nature and elements of poetry, Stedman, 1892.djvu/366

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336
ANALYTICAL INDEX

201; not to fetter the poet's imagination, 201; mere description unsatisfactory, 202; largely subjective, 202, 203; question of the "pathetic fallacy," 204-210; of nature's apparent sympathy, 205; scientific truth, the fearless desire for, 207; philosophical truth, 211-219; of the higher didacticism, 211-213; of ethical insight, 216; of a noble iconoclasm, 217-219; hostile to the commonplace, 219; free and alert, 220; finally coherent with beauty, 220, 221; the God of, also the God of art, 223; and see 46, 147, also Ethics and Didacticism.

Tudor sonneteers, 115.

Turnbull Memorial Lectureship, The Percy, 4; its founders, 6; design of its initial course, ib.; theory of these lectures, 76; and see 93.

Turnbull, Percy Græme, 93; and see Introduction.

Turner, J. W. M., painter, 210, 246.

Two Worlds, Gilder, 257.

Tyndall, scientist, quoted, 39.


Unconscious, Theory of the, Hartmann, 46, 147, 156.

Universality, of the arts, 13; world-poems, 112; Shakespeare's, 230; of genius, 283; and see 191.

"Universal Prayer, The," Pope, 214.

Universities, ideal side of, 4, 5.

Utility, its relation to beauty, 156; La Farge on the relations of fitness and beauty, 163.

Utterance, poetry is, 62; and see 264, also Expression and Language.


Vague, The, imaginative effect of, 244-247; in Hebrew poetry, 244; in Camoëns, Milton, Coleridge, 244, 245; in Shelley's cloudland, 246; of thought and style, its reflex action, 235.

Vanity Fair, Thackeray, 137.

Variety, advance in poetic materials for color, diction, etc., 176.

Vates, the, 287.

Vedder, E., painter, 212.

Velasquez, painter, 150.

Vergil, the Vergilian style, 91; "Tu Marcellus eris," 93; quoted, 286; and see 43, 212.

Véron, E., critic, his subjective theory of Beauty and the Æsthetic, 152, 157; cited concerning Genius, 283.

Vers de Societé. See Society Verse.

Verse, the true antithesis of Prose, 20.

Versifiers and Verse-making, 8, 11, 13; delusion of poetasters, 24; Milton on rhymers, etc., 27; Sidney on, 62.

Vibrations, their function, as the only media through which impressions reach the incarnate human soul, 52,—the soul thrilled by, and responsive to them, ib.; impalpable, 53; mu-