II. Artistic Division.
Not only was the Beard intended to serve the important purposes just described; but, combining beauty with utility, to impart manly grace and free finish to the male face. To its picturesqueness Poets and Painters, the most competent judges, have borne universal testimony. It is indeed impossible to view a series of bearded portraits, however indifferently executed, without feeling that they possess dignity, gravity, freedom, vigour, and completeness; while in looking on a row of razored faces, however illustrious the originals, or skilful the artists, a sense of artificial conventional bareness is experienced.
Addison gives vent to the same notion, when he makes Sir Roger de Coverley point to a venerable bust in Westminster Abbey, and ask "whether our forefathers did not look much wiser in their Beards, than we without them?" and say, "for my part, when I am in my gallery in the country, and see my ancestors, who many of them died
