Page:The place of magic in the intellectual history of Europe.djvu/20

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MAGIC IN INTELLECTUAL HISTORY
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speech to-day numerous vestiges of the astrological art survive.[1]

Moreover, a grander and more imposing witchcraft displayed itself in the stories of the wizard Merlin and in the persons of the wicked magicians with whom knights contended in the pages of mediæval romance. So strong was the tendency to believe in the marvelous, that men of learning were often pictured by subsequent tradition, if not by contemporary gossip, as mighty necromancers. Even Gerbert, who seems to have done nothing more shocking than to write a treatise on the abacus and build a pipe-organ, was pictured as running off with a magician's book and daughter, hanging under bridges between earth and water to escape noxious spells, and making compacts with Satan.[2]

The attitude of the average mind as it has just been illustrated was to a large extent characteristic of the best instructed and most widely read men. The erudite poet Dante accepted the influence of the constellations upon human destiny. Bodin maintained in his Republic—perhaps the greatest book on political science written during the sixteenth

    vol. iii, p. 437. Mr. Lea's chapter on "Sorcery and the Occult Arts" is very interesting and contains much material which it is difficult to find elsewhere.

  1. We speak of persons as jovial or saturnine or mercurial in temperament; as ill-starred, and so on.
  2. The classic on the theme of magic reputations incurred by the learned in ancient and mediæval times is Gabriel Naudé's Apologie pour tous les grands personages qui ont esté faussement soupçonnez de Magie." Paris, 1625. That such reputations were often unjustly incurred was recognized long before Naudé, however. To say nothing now of Apuleius' Apologia, to which we shall refer later, attention may be called to the fact that even William of Malmesbury, while relating with apparent credulity the legends in regard to Gerbert, had the grace to admit that "the common people often attack the reputation of the learned, and accuse any one of dealing with the devil who excels in his art" Gesta Regum Anglorum, book ii, secs. 167, 168.