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THE PLASTIC AGE

was kissed by a man she had never seen before and never would again, nor did she object—Wayne Gitford was turning handsprings, and many of the stu¬ dents were feebly fluttering their hands, voiceless, spent with cheering, weak from excitement.

Early in the fourth quarter, however, Raleigh got its revenge, carrying the ball to a touch-down after a series of line rushes. Sanford tried desperately to score again, but its best efforts were useless against the Raleigh defense. The final whistle blew; and Sanford had lost. Cheering wildly, tossing their hats into the air, the Raleigh students piled down from the grand stand upon the field. With the cheer-leaders at the head, waving their megaphones, the boys rapidly formed into a long line in uneven groups, holding arms, dancing, shouting, winding in and out around the field, between the goal-posts, tossing their hats over the bars, waving their hands at the Sanford men standing despondently in their places—in and out, in and out, in the triumphant serpentine. Finally they paused, took off their hats, cheered first their own team, then the Sanford team, and then sang their hymn while the Sanford men respectfully un¬ covered, silent and despairing.

When the hymn was over, the Sanford men quietly left the grand stand, quietly formed into a long line in groups of fours, quietly marched to the college flagpole in the center of the campus. A Sanford