ated, which we know not how to define, whether as over-sensitiveness or indifference. Once finished, the heat and glow of composition spent, her writings apparently ceased to interest her. She often resented any allusion to them on the part of intimate friends, and the public verdict as to their excellence could not reassure or satisfy her. The explanation is not far, perhaps, to seek. Was it not the " Ewig-Weibliche " that allows no prestige but its own ? Emma Lazarus was a true woman, too distinctly feminine to wish
to be exceptional, or to stand alone and apart, even by virtue of superiority.
A word now as to her life and surroundings. She was one of a family of seven, and her parents were both living. Her winters were passed in New York, and her summers by the sea. In both places her life was essentially quiet and retired. The success of her book had been mainly in the world of letters. In no wise tricked out to catch the public eye, her writings had not yet made her a conspicuous figure, but were destined slowly to take their proper place and give her the rank that she afterwards held.
For some years now almost everything that she wrote was published in a "Lippincott’s Magazine," then edited by John Foster Kirk, and we shall still find in her poems the method and movement of her life. Nature is still the fount and mirror, reflecting, and again reflected, in the
