sion from the details of the room and the observation of himself; nor will he represent a theologian as failing—even while he thinks out and decides the question of his faith—to note the things that arrest his present and unclouded eyes. No habits would dare to live under those glances. They must die of dismay.
Tolstoi sees everything that is within sight. That he sees this multitude of things with invincible simplicity is what proves him an artist; nevertheless, for such perception as his there is no peace. For when it is not the trivialities of other men's habits but the actualities of his own mind that he follows without rest, for him there is no possible peace but sleep. To him, more than to all others, it has been said, "Watch!" There is no relapse, there is no respite but sleep or death.
To such a mind every night must come with an overwhelming change, a release too great for gratitude. What a falling to sleep! What a manumission, what an absolution! Consciousness and conscience set free from the exacted instant replies of the unrelapsing day. And at the awakening all is ready yet once more, and apprehension begins again: a perpetual presence of mind.
