less. Why will design insist upon its importunate immortality? Wiser is the drama, and wiser the dance, that do not pause upon an attitude. But these walk with passion or pleasure, while the shadow walks with the earth. It alters as the hours wheel.
Moreover, while the habit of your sunward thoughts is still flowing southward, after the winter and the spring, it surprises you in the sudden gleam of a north-westering sun. It decks a new wall; it is shed by a late sunset through a window unvisited for a year past; it betrays the flitting of the sun into unwonted skies—a sun that takes the mid-summer world in the rear, and shows his head at a sally-porte, and is about to alight on an unused horizon. So does the grey drawing, with which you have allowed the sun and your pot of rushes to adorn your room, play the stealthy game of the year.
You need not stint yourself of shadows, for an occasion. It needs but four candles to make a hanging Oriental bell play the most buoyant jugglery overhead. Two lamps make of one palm-branch a symmetrical counterchange of shadows, and here two palm-branches close with one another in shadow, their arches flowing together, and their paler greys darkening.
