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THE STORY GIRL

front, but sloped down in natural steps behind, with a ledge midway on which one could stand. It had played an important part in the games of our uncles and aunts, being fortified castle, Indian ambush, throne, pulpit, or concert platform, as occasion required. Uncle Edward had preached his first sermon at the age of eight from that old gray boulder; and Aunt Julia, whose voice was to delight thousands, sang her earliest madrigals there.

The Story Girl mounted to the ledge, sat on the rim, and looked at us. Pat sat gravely at its base and daintily washed his face with his black paws.

"Now for your stories about the orchard," said I.

"There are two important ones," said the Story Girl. "The story of the Poet Who Was Kissed, and the Tale of the Family Ghost. Which one shall I tell?"

"Tell them both," said Felix greedily, "but tell the ghost one first."

"I don't know." The Story Girl looked dubious. "That sort of story ought to be told in the twilight among the shadows. Then it would frighten the souls out of your bodies."

We thought it might be more agreeable not to have the souls frightened out of our bodies, and we voted for the Family Ghost.

"Ghost stories are more comfortable in daytime," said Felix.

The Story Girl began it and we listened avidly. Cecily, who had heard it many times before, listened

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