Her dress was of filmy zephyr-like white chiffon, cut low to show the full lines of the neck and shoulders. Around the upper part of her beautiful bare arms, where they melted into the shoulders, was drawn a scarf of delicate lace. Where it crossed the waist line in V shape, was pinned an ivorytype miniature portrait of her proud mother, painted at her own age of twenty, which looked so strikingly like the living form above, it might have been taken for the image of a twin sister. A sash of pink ribbon encircled her figure. The skirt hung in full puffy lines draped over a number of under-skirts after the fashion of the period. The bottom of the skirt was finished with a border of lace on the top of which were set at intervals clusters of little pink roses wrought in silk.
Her curly crown of black hair was parted in the middle and drawn low on the side of the face in two great waves and tied behind with a pink ribbon. The long ends were curled into four strands and thrown carelessly around her neck in front and hung to the waist. Her head was circled with a tiny wreath of the living pink roses from which the silk ones had been modelled. To John's fancy this wreath against her black hair seemed the jewelled crown of a queen set in priceless rubies.
She poured the tea with her bare arm uplifted
