neither of these senses does it fitly define this poet. He is more than your mere animal man who has not tasted of the tree of good and evil. He is aware enough of sin for a swagger to be present in his indifference towards it, a conscious pride in his freedom from flexions and contractions, which your genuine pagan in the first sense of the word would never show.
"I could turn and live with animals, they are so placid and self-contained,
I stand and look at them long and long;
They do not sweat and whine about their condition.
They do not lie awake in the dark and weep for their sins.
Not one is dissatisfied, not one is demented with the mania of owning things,
Not one kneels to another, nor to his kind that lived thousands of years ago,
Not one is respectable or unhappy over the whole earth."[1]
No natural pagan could have written these well-known lines. But on the other hand Whitman is less than a Greek or Roman; for their consciousness, even in Homeric times, was full to the brim of the sad mortality of this sunlit world, and such a consciousness Walt Whitman resolutely refuses to adopt. When, for example, Achilles, about to slay Lycaon, Priam's young son, hears him sue for mercy, he stops to say:—
"Ah, friend, thou too must die: why thus lamentest thou? Patroclos too is dead, who was better far than thou. … Over me too hang death and forceful fate. There cometh morn or eve or some noonday when my life too some man shall take in battle, whether with spear he smite, or arrow from the string."[2]
Then Achilles savagely severs the poor boy's neck with his sword, heaves him by the foot into the Scamander, and calls to the fishes of the river to eat the white fat of Lycaon. Just as here the cruelty and the sympathy each
