Moscow, February 1914.
I went to Moscow to see my old friend Vassily Vassilievitch Pereplotchikof, the painter. He received me in his house in the Sadovia, in that mysterious sitting-room of his where scores of his paintings are always standing with their faces to the wall, like very shy young maidens who wait till it is their turn to be shown to society and to their prospective suitors.
During the summer in America which I had tramped, he had been seeking impressions on the barren Arctic island of Nova Zemlia. What a contrast in our fields of action! He in the silent snow-swept island; I on the luxurious mainland of the New World. Vassily Vassilitch prefers places like Nova Zemlia, where, as it were, candles are burning in corners from which ikons have been taken away. We exchanged our impressions.
Nova Zemlia has only a hundred inhabitants, one steamer calls there in the year. There is only one
post. In winter there is three months darkness
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