The Way of All Flesh
have no concealment from him, and to tell him everything freely and fearlessly as your most loving earthly friend next only to your Heavenly Father. Perfect love, as we know, casteth out fear: your father loves you perfectly, my darling, but he does not feel as though you loved him perfectly in return. If you fear him it is because you do not love him as he deserves, and I know it sometimes cuts him to the very heart to think that he has earned from you a deeper and more willing sympathy than you display towards him. Oh, Ernest, Ernest, do not grieve one who is so good and noble-hearted by conduct which I can call by no other name than ingratitude."
Ernest could never stand being spoken to in this way by his mother: for he still believed that she loved him, and that he was fond of her and had a friend in her—up to a certain point. But his mother was beginning to come to the end of her tether; she had played the domestic confidence trick upon him times without number already. Over and over again had she wheedled from him all she wanted to know, and afterwards got him into the most horrible scrape by telling the whole to Theobald. Ernest had remonstrated more than once upon these occasions, and had pointed out to his mother how disastrous to him his confidences had been, but Christina had always joined issue with him and showed him in the clearest possible manner that in each case she had been right, and that he could not reasonably complain. Generally it was her conscience that forbade her to be silent, and against this there was no appeal, for we are all bound to follow the dictates of our conscience. Ernest used to have to recite a hymn about conscience. It was to the effect that if you did not pay attention to its voice it would soon leave off speaking. "My mamma's conscience has not left off speaking," said Ernest to one of his chums at Roughborough; "it's always jabbering."
When a boy has once spoken so disrespectfully as this about his mother's conscience it is practically all over between him and her. Ernest through sheer force of habit, of the sofa, and of the return of the associated ideas, was
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