in this departing congregation whom we should like to see again—some of those who are not likely to be handsomely clad, and whom we may not recognise so easily as the master and mistress of the Red House?
But it is impossible to mistake Silas Marner. His large brown eyes seem to have gathered a longer vision, as is the way with eyes that have been short-sighted in early life, and they have a less vague, a more answering gaze; but in everything else one sees signs of a frame much enfeebled by the lapse of the sixteen years. The weaver's bent shoulders and white hair give him almost the look of advanced age, though he is not more than five-and-fifty; but there is the freshest blossom of youth close by his side—a blond dimpled girl of eighteen, who has vainly tried to chastise her curly auburn hair into smoothness under her brown bonnet: the hair ripples as obstinately as a brooklet under the March breeze, and the little ringlets burst away from the restraining comb behind and show themselves below the bonnet-crown. Eppie cannot help being rather vexed about her hair, for there is no other girl in Raveloe who has hair at all like it, and she thinks hair ought to be smooth. She does not like to be blameworthy even in small things: you see how neatly her prayer-book is folded in her spotted handkerchief. That good-looking young fellow, in a new fustian suit, who walks behind her, is not quite sure upon the question of hair in the abstract, when Eppie puts it to him, and thinks that perhaps straight hair is the best in general, but he doesn't want Eppie's hair to be different. She surely divines that there is some
