"Kua Kuan," a quite common Chinese phrase, meaning to hang one's cap, that is, one's official cap, is never used as a conceit for dying. In her Introduction to Fir-Flower Tablets, Mrs. Ayscough is right in rejecting the tempting morsel of legend about Li Po's drowning, which has been accepted by Professor Giles and others. But on the same page she makes a misstatement to the effect that Li Po after his return from exile went to "live with his friend and disciple, Lu Yang-ping, in the mountains near Kiu Kiang." The fact is Li Yang-ping (not Lu Yang-ping) was then magistrate of Tang-tu, the present city of Tai-ping in the province of Anhwei, at a considerable distance from the Lu Mountains, which are in Hunan. Nor does she seem to be conversant with the notorious bit of China's literary history regarding the "Eight Immortals of the Winecup." They acquired their enviable fame in the taverns of Chang-an during Li Po's sojourn in that metropolis. Tu Fu's celebrated poem (No. 125) will serve as an evidence. The group never lived in the mountains together as Mrs. Ayscough makes out. Again she blunders glaringly and inexcusably in writing, "China's three greatest poets, Li Tai-po, Tu Fu, and Po Chu-i all lived during his (Ming Huang's) long reign of forty-five years," for elsewhere in her own book the years of these poets are correctly given to be respectively, A. D. 701-762, 712-770 and 772-846.
By citing these few obvious errors committed by zealous scholars and daring poets, I do not mean to discredit their brilliant achievements, which I fully appreciate, and to which I am heavily indebted in the execution of my work. Only I feel it my duty to indicate to my reader the still very imperfect state of what is accessible to him in the way of a Li Po literature in English. And conscious of my own failings, I offer
