sojourn in a district called Yen, in Chehkiang, famous for the beauty of its hills and valleys. Here he met Wu Yun, scholar and Taoist, who on being summoned to court took Li Po with him to Chang-an, the capital of the empire.
It was about the year 742 that Li Po entered Chang-an, the golden metropolis, when the long prosperous years of the Tien-pao era had just begun, and the court of Hsuan Tsung had reached the pinacle of brilliance. Li Po went to see Ho Chi-chang, a guest of the crown prince, and showed his poems. The jovial courtier was so pleased that he bartered his gold ornament for wine and entertained the new-comer. Moreover, he commended the poet to the emperor. "I have in my house," he said, "probably the greatest poet that ever existed. I have not dared to speak of him to your Majesty because of his one defect, which is rather difficult to correct: he drinks, and drinks sometimes to excess. But his poems are beautiful. Judge them for yourself, sire!" So saying, he thrust in Hsuan Tsung's hand a bundle of manuscript. "Fetch me the author of these poems!" spoke the emperor instantly—so runs one story.
But according to other versions it was Wu Yun, or Princess Yu-chen, who introduced Li Po to the court. At any rate, the poet was given an audience in the Hall of Gold Bells. His discourse and ode at once won the admiration of the emperor, so that he feasted the poet at the Table of the Seven Jewels and assigned him to the Han-ling Academy. That is, Li Po was placed under imperial patronage, without any special duties but to write occasional poems, of which the ninth piece in the present book is an example.
He banqueted with lords and ladies in and out of the
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