THE THIRD ACT
[The scene is unchanged, but the woman’s presence has made itself felt. Handsome, though inexpensive, cretonne curtains grace the windows. A garish jardinière of porcelain holds a geranium plant and stands upon a coloured oriental tabouret. The lamps have acquired art shades: one of some light-coloured silk on a wire form and adorned with roses of the same material in a lighter shade, the other of parchment painted with windmills and Dutch kiddies. New pictures selected from the stock-in-trade of almost any provincial “art department” hang upon the walls; one of them, perhaps, a portrait of a well-known lady screen star. These have replaced Washington and Garibaldi and the Italian Steamship Company’s poster. Painted and elaborately befringed leather sofa cushions fill the large chairs. It is hoped that one of the variety showing the head of Hiawatha can be secured for this, as they say, “touch.” A brilliantly embroidered centrepiece covers the dining-room table and the flowers in the middle are palpably artificial. A white waste-paper basket is girt by a cerise ribbon which makes some corner of the room splendid. A victrola graces another corner.
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