"How much do you care—do you like any one better?"
"No." He could scarcely hear her, although he bent so near that he felt her breath against his cheek.
"Isabelle, I'm going back to college for six long months, and why shouldn't we—if I could only Just have one thing to remember you by"
"Close the door. …" Her voice had just stirred so that he half wondered whether she had spoken at all. As he swung the door softly shut, the music seemed quivering just outside.
"Moonlight is bright,
Kiss me good night."
What a wonderful song, she thought—everything was wonderful to-night, most of all this romantic scene in the den, with their hands clinging and the inevitable looming charmingly close. The future vista of her life seemed an unending succession of scenes like this: under moonlight and pale starlight, and in the backs of warm limousines and in low, cosey roadsters stopped under sheltering trees—only the boy might change, and this one was so nice. He took her hand softly. With a sudden movement he turned it and, holding it to his lips, kissed the palm.
"Isabelle!" His whisper blended in the music, and they seemed to float nearer together. Her breath came faster. "Can't I kiss you, Isabelle—Isabelle?" Lips half parted, she turned her head to him in the dark. Suddenly the ring of voices, the sound of running footsteps surged toward them. Quick as a flash Amory reached up and turned on the light, and when the door opened and three boys, the wrathy and dance-craving Froggy among them, rushed in, he was turning over the magazines on the table, while she sat without moving, serene and unembarrassed, and even greeted them with
