Miss Thriplow was sitting in a dark little Gothic room in the most ancient part of the palace, composing the fourteenth chapter of her new novel on a Corona typewriter. She was wearing a printed cotton frock—huge blue checks ruled, tartan-fashion, on a white ground—very high in the waist, very full and long in the skirt; a frock that was at once old-fashioned and tremendously contemporary, school-girlish and advanced, demure and more than Chelsea-ishly emancipated. The face that she turned towards the butler as he came in was very smooth and round and pale, so smooth and round that one would never have credited her with all the thirty years of her age. The features were small and regular, the eyes dark brown; and their arched brows looked as though they had been painted on to the porcelain mask by an oriental brush. Her hair was nearly black and she wore it drawn sleekly back from her forehead and twined in a large knot at the base of her neck. Her uncovered ears were quite white and very small. It was an inexpressive face, the face of a doll, but of an exceedingly intelligent doll.
She took the telegram and opened it.
“It’s from Mr. Calamy,” she explained to the butler. “He says he’s coming by the three-twenty and will walk up. I suppose you had better have his room got ready for him.”
The butler retired; but instead of going on with her work, Miss Thriplow leaned back in her chair and pensively lighted a cigarette.
Miss Thriplow came down at four o’clock, after her siesta, dressed, not in the blue and white frock of the morning, but in her best afternoon frock—the black silk one, with the white piping round the flounces. Her pearls, against this dark background, looked particularly brilliant. There were pearls too in her pale small ears; her hands were heavily ringed. After all that she had heard of Calamy from her hostess she had thought it necessary to make these preparations, and she was glad that his unexpected arrival was to leave her alone with him at
