He doesn't give a damn about it, really. That's why He's so cheerful . . . such a competent artist. His hand doesn't shake. Still, I don't think I want to meet Him. It's a mistake to meet artists you admire; they're always disappointing.
"I shouldn't have come here," she said. "I love it too much. Those trees. They look so surprised. I have a guilty passion for pine trees."
Driving the faithful car had strengthened George. Even the paltriest has an encouraged sense of competence with that steady tattoo underneath his feet. The artist that lay printed like a fossil in George's close-packed heart—the artist that only Joyce had ever relished—always responded to the drum of the engine. He adored the car; when he drove alone to the Island (sending the family by train) he sang to her most of the way. This was his guilty passion. Now it was the car's rhyming vitality that came to his rescue. He broke the glass. He cut himself, but he got through.
"Any kind of love is too much," he said.
Then he was grieved to find himself uttering such a cheap oracle; but it comforted Joyce because she saw it was a symptom. It showed that he was trying to tell the truth. She did not dare
