mind's restless flit: the slow cruel world, without conscience, that the artist never quite forgets. In the glare of the lamp the room burned with subordinate life: the grainy wood of the furniture, the nap of the rug, the weave of the sofa, were fibred with obstinate essence. Being was in them as in her, went on and on. It seemed as though one sudden push, if it could be made, might break through the fog of daily bickerings and foresights and adjustments, into that radiant untroubled calm. But conscious life tends to take the level of the lowest present: with Ruth and Ben and even the house itself steadfast against her, how could she speak out? The darkness that, outdoors, had been sweet privacy, was here obverted into secrecy: secrecy lay under the chairs, behind the doors, between the ticks of the clock. She had settled this room, only a few hours before, with so much care—dusting, arranging; everything in its accustomed pose. Now it was too strong for her, and every pattern in it ran with shouts of taunting laughter. . . . It was just like George to linger in the garden, leaving her alone to "entertain" these guests.
Then she was aware that someone had spoken. She had not caught the words, but the sound poised in her mind. It was a pleasant sound, it
