to the motion of circles of the spheres, and the earthly on the rocks of fatallest shipwreck. A fact which may indeed be regarded "sentimentally," but it is also a profoundly important politico-economical one.
And now for Shakspeare's song.
167. You will find, if you look back to the analysis of it, given in 'Munera Pulveris,' § 134, that the whole play of 'The Tempest' is an allegorical representation of the powers of true, and therefore spiritual, Liberty, as opposed to true, and therefore carnal and brutal Slavery. There is not a sentence nor a rhyme, sung or uttered by Ariel or Caliban, throughout the play, which has not this undermeaning.
168. Now the fulfilment of all human liberty is in the peaceful inheritance of the earth, with its "herb yielding seed, and fruit tree yielding fruit" after his kind; the pasture, or arable, land, and the blossoming, or wooded and fruited, land uniting the final elements of life and peace, for body and soul. Therefore, we have the two great Hebrew forms of benediction, "His eyes shall be red with wine, and his teeth
