LETTER IX.
The Use of Music and Dancing under the Jewish Theocracy, compared with their Use by the Modern French.
40.HAVING, I hope, made you now clearly understand with what feeling I would use the authority of the book which the British public, professing to consider sacred, have lately adorned for themselves with the work of the boldest violator of the instincts of human honour and decency known yet in art-history, I will pursue by the help of that verse about Miriam, and some others, the subject which occupied my mind at both theatres, and to which, though in so apparently desultory manner, I have been nevertheless very earnestly endeavouring to lead you.
41. The going forth of the women of Israel after Miriam with timbrels and with dances, was, as you doubtless remember,
