Park Lane. Unsold stock. Not my style. Sober financier, George."
So much for his visible presence. For a time it was very familiar to the world, for at the crest of the boom he allowed quite a number of photographs and at least one pencil sketch to be published in the sixpenny papers. . . . His voice declined during those years from his early tenor to a flat rich quality of sound that my knowledge of music is inadequate to describe. His Zzz-ing inrush of air became less frequent as he ripened, but returned in moments of excitement. Throughout his career, in spite of his increasing and at last astounding opulence, his more intimate habits remained as simple as they had been at Wimblehurst. He would never avail himself of the services of a valet; at the very climax of his greatness his trousers were folded by a housemaid and his shoulders brushed as he left his house or hotel. He became wary about breakfast as life advanced, and at one time talked much of Dr. Haig and uric acid. But for other meals he remained reasonably omnivorous. He was something of a gastronome, and would eat anything he particularly liked in an audible manner, and perspire upon his forehead. He was a studiously moderate drinker—except when the spirit of some public banquet or some great occasion caught him and bore him beyond his wariness—then he would as it were drink inadvertently and become flushed and talkative—about everything but his business projects.
To make the portrait complete one wants to convey an effect of sudden, quick bursts of movement like the jumps of a Chinese-cracker to indicate that his pose, whatever it is, has been preceded and will be followed by a rush. If I were painting him, I should certainly
