THE TOUCHSTONE
his wife seldom had an evening alone together. When he was tired, as often happened, she went out alone; the idea of giving up an engagement to remain with him seemed not to occur to her. She had shown, as a girl, little fondness for society, nor had she seemed to regret it during the year they had spent in the country. He reflected, however, that he was sharing the common lot of husbands, who proverbially mistake the early ardors of housekeeping for a sign of settled domesticity. Alexa, at any rate, was refuting his theory as inconsiderately as a seedling defeats the gardener's expectations. An undefinable change had come over her. In one sense it was a happy one, since she had grown, if not handsomer, at least more vivid and expressive; her beauty had become more communicable: it was as though she had learned the conscious exercise of intuitive attributes and now used her effects with the discrimination of an artist skilled in values. To a dispassionate critic (as Glennard now rated himself) the art may at times have been a little too obvious. Her attempts at lightness lacked spontaneity, and she sometimes
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