Page:Touchstone (Wharton 1900).djvu/23

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II

HE dined alone and walked home to his rooms in the rain. As he turned into Fifth Avenue he caught the wet gleam of carriages on their way to the opera, and he took the first side street, in a moment of irritation against the petty restrictions that thwarted every impulse. It was ridiculous to give up the opera, not because one might possibly be bored there, but because one must pay for the experiment.

In his sitting-room, the tacit connivance of the inanimate had centred the lamplight on a photograph of Alexa Trent, placed, in the obligatory silver frame, just where, as memory officiously reminded him, Margaret Aubyn's picture had long throned in its stead. Miss Trent's features cruelly justified the usurpation. She had the kind of beauty that comes of a happy accord of face and spirit. It is not given to many to have the lips and eyes of their rarest mood, and some women go through life behind a mask expressing only their anxiety about the butcher's bill or their inability to see a joke. With

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