"But he has cleaned it, and polished it, and discovered what it is?"
"It's very old. It's hard to say."
"Very old! Of course it's old. There are more years in it than it brought me scudi. What does it look like? Is it red, blue, green, yellow?"
"Well, my friend," I said, after a moment's hesitation, "it's yellow."
He gave me a searching stare; then quickly—"it's what's called a topaz," he cried.
"Yes, it's what's called a topaz."
"And it's sculptured—that I could see! It's an intaglio. Oh, I know the names, and I've paid enough for my learning. What's the figure? A king's head—or a Pope's, perhaps, eh? Or the portrait of some beautiful woman that you read about?"
"It is the figure of an Emperor."
"What is his name?"
"Tiberius."
"Corpo di Cristo!" his face flushed, and his his filled with angry tears.
"Come," I said, "I see you're sorry to have parted with the stone. Some one has been talking to you, and making you discontented."
"Every one, per Dio! Like the finished fool I was, I couldn't keep my folly to myself. I went home with my eleven scudi, thinking I should never see the end of them. The first thing I did was to buy a gilt hair-pin from a peddler, and give it to Ninetta—a young girl of my village, with whom I had a friendship. She stuck it into her braids, and looked at herself in the glass, and then asked how I had suddenly got so rich! 'Oh, I'm richer than you suppose,' said I, and showed her my money, and told her the story of the stone. She is a very clever girl, and it would take a knowing fellow to have the last word with her. She laughed in my face, and told me I was an idiot, that the stone was surely worth five hundred scudi; that my forestiere was a pitiless rascal; that I ought to have brought it away, and shown it to my elders and
