Page:Travelling Companions (1919).djvu/51

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TRAVELLING COMPANIONS
37

ket-garden which was once a Roman arena, offers one of the deepest lessons of Italian travel. Its four walls are covered, almost from base to ceiling, with that wonderful series of dramatic paintings which usher in the golden prime of Italian art. I had been so ill-informed as to fancy that to talk about Giotto was to make more or less of a fool of one's self, and that he was the especial property of the mere sentimentalists of criticism. But you no sooner cross the threshold of that little ruinous temple—a mere empty shell, but coated as with the priceless substance of fine pearls and vocal with a murmured eloquence as from the infinite of art—than you perceive with whom you have to deal: a complete painter of the very strongest sort. In one respect, assuredly, Giotto has never been surpassed,—in the art of presenting a story. The amount of dramatic expression compressed into those quaint little scenic squares would equip a thousand later masters. How, beside him, they seem to fumble and grope and trifle! And he, beside them, how direct he seems, how essential, how masculine! What a solid simplicity, what an immediate purity and grace! The exhibition suggested to my friend and me more wise reflections than we had the skill to utter. "Happy, happy art," we said, as we seemed to see it beneath Giotto's hand tremble and thrill and sparkle, almost, with a presentiment of its immense career, "for the next two himdred years what a glorious felicity will be yours!" The chapel door stood open into the sunny corn-field, and the lazy litter of verdure enclosed by the crumbling oval of Roman masonry. A loutish boy who had come with the key lounged on a bench, awaiting tribute, and gazing at us as we gazed. The ample light flooded the inner precinct, and lay hot upon the coarse, pale surface of the painted wall. There seemed an irresistible pathos in such a combination of shabbiness and beauty. I thought of this subsequently at the beautiful Museum at Bologna, where mediocrity is so richly enshrined. Nothing that we had yet seen together had filled us with so deep a sense of enjoyment. We stared, we laughed, we wept almost, we raved with a decent delight. We went over the little compart-