ingenious, and the ornamented parts are executed in the very best manner.
The bottom and sides of the frame seem to be fineered, and inlaid, probably with ivory, tortoise-shell, and mother-of-pearl, the ordinary produce of the neighbouring seas and deserts. It would be even now impossible, either to construct or to finish a harp of any form with more taste and elegance. Besides the proportions of its outward form, we must observe likewise how near it approached to a perfect instrument, for it wanted only two strings of having two complete octaves; that these were purposely omitted, not from defect of taste or science, must appear beyond contradiction, when we consider the harp that follows.
I had no sooner finished the harp which I had taken in hand, than I went to my assistant, to see what progress he had made in the drawing in which he was engaged. I found, to my very great surprise, that this harp differed essentially, in form and distribution of its parts, from the one I had drawn, without having lost any of its elegance; on the contrary, that it was finished with full more attention than the other. It seemed to be fineered with the same materials, ivory and tortoise-shell, but the strings were differently disposed, the ends of the three longest, where they joined to the sounding-board below, were defaced by a hole dug in the wall. Several of the strings in different parts had been scraped as with a knife, for the rest it was very perfect. It had eighteen strings. A man, who seemed to be still older than the former, but in habit perfectly the same, bare-footed, close shaved, and of the same complexion with him, stood
