Page:Treasure Island (1909).djvu/19

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
ROBERT LOUIS STEVENSON
15

sitting up long after bedtime to read their new book. The story goes that Mr. Gladstone got a glimpse of it at a colleague's house, and spent the next day hunting over London for a secondhand copy. The editor of the Saturday Review, the superior, cynical 'Saturday' of old days, wrote excitedly to say that he thought Treasure Island was the best book that had appeared since Robinson Crusoe; and James Payn, who, if not a great novelist himself, held an undisputed position among novelists and critics, sent a note hardly less enthusiastic. Mr. Andrew Lang spent over it 'several hours of unmingled bliss, This is the kind of stuff a fellow wants. I don't know, except Tom Sawyer and the Odyssey, that I ever liked any romance so well.'"

Stevenson's own comment upon his success was characteristically modest and whimsical. "This gives one strange thoughts of how very bad the common run of books must be; and generally all the books that the wiseacres think too bad to print are the very ones that bring one praise and pudding." But this modest comment of the author is indeed far from the truth. Though Treasure Island is neither a great book, nor a storehouse of wisdom, it is one of the very best of its kind. No apologies need ever be made for books which can give so much harmless pleasure to readers of all ages and of such varying tastes.

The central figure of the story is, of course, the Sea Cook, Captain John Silver. His ability is as extraordinary as his shameless rascality; and he is consistently drawn from start to finish. Many of the other figures are equally well done, though less prominent: as Bill Bones, the blind Pew, Doctor Livesey, the Squire, and Ben Gunn, the maroon. Each has his mark,—his tag, so to speak. One of the best touches of the story is poor Ben Gunn's habit of semi-soliloquy in dialogue and his longing for a bit of "Christian diet," a piece of toasted cheese.

The author has recorded with characteristic frankness his debt to other writers. He borrowed the parrot from Robinson Crusoe, the skeleton from Poe, the stockade from Captain Marryat's Masterman Ready, "and Billy Bones, the chest, the company in the parlour, the whole inner spirit and a good deal of the material