principal question, and decides without appeal concerning the nature of the idea.
The table before me is alone sufficient by its view to give me the idea of extension. This idea, then, is borrow' d from, and represents some impression, which this moment appears to the senses. But my senses convey to me only the impressions of colour'd points, dispos'd in a certain manner. If the eye is sensible of any thing farther, I desire it may be pointed out to me. But if it be impossible to shew any thing farther, we may conclude with certainty, that the idea of extension is nothing but a copy of these colour'd points, and of the manner of their appearance.
Suppose that in the extended object, or composition of colour'd points, from which we first receiv'd the idea of extension, the points were of a purple colour; it follows, that in every repetition of that idea we wou'd not only place the points in the same order with respect to each other, but also bestow on them that precise colour, with which alone we are acquainted. But afterwards having experience of the other colours of violet, green, red, white, black, and of all the different compositions of these, and finding a resemblance in the disposition of colour'd points, of which they are compos'd, we omit the peculiarities of colour, as far as possible, and found an abstract idea merely on that disposition of points, or manner of appearance, in which they agree. Nay even when the resemblance is carry'd beyond the objects of one sense, and the impressions of touch are found to be similar to those of sight in the disposition of their parts; this does not hinder the abstract idea from representing both, upon account of their resemblance. All abstract ideas are really nothing but particular ones, consider'd in a certain light; but being annexed to general terms, they are able to represent a vast variety, and to comprehend objects, which, as they are alike in some particulars, are in others vastly wide of each other.
The idea of time, being deriv'd from the succession of our