in the pointed cap and motley coat of his profession. All the inhabitants of this mimic world were motionless, like the figures in a picture, or like that people who one moment were alive in the midst of their business and delights, and the next were transformed to statues, preserving an eternal semblance of labor that was ended, and pleasure that could be felt no more. Anon, however, the old gentleman turned the handle of a barrel organ, the first note of which produced a most enlivening effect upon the figures, and awoke them all to their proper occupations and amusements. By the selfsame impulse the tailor plied his needle, the blacksmith's hammer descended upon the anvil, and the dancers whirled away on feathery tiptoes; the company of soldiers broke into platoons, retreated from the stage, and were succeeded by a troop of horse, who came prancing onward with such a sound of trumpets and trampling of hoofs, as might have startled Don Quixote himself; while an old toper, of inveterate ill habits, uplifted his black bottle and took off a hearty swig. Meantime the Merry Andrew began to caper and turn somersets, shaking his sides, nodding his head, and winking his eyes in as life-like a manner as if he were ridiculing the nonsense of all human affairs, and making fun of the whole multitude beneath him. At length the old magician (for I compared the show-man to Prospero, entertaining his guests with a masque of shadows) paused that I might give utterance to my wonder.
'What an admirable piece of work is this!' exclaimed I, lifting up my hands in astonishment.
Indeed, I liked the spectacle, and was tickled with