Page:Twice-Told Tales (1851) vol 2.djvu/35

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
EDWARD RANDOLPH'S PORTRAIT.
29

there had acquired a taste and enthusiasm for sculpture and painting, which she found few opportunities of gratifying in the undecorated dwellings of the colonial gentry. It was said that the early productions of her own pencil exhibited no inferior genius, though, perhaps, the rude atmosphere of New England had cramped her hand, and dimmed the glowing colors of her fancy. But observing her uncle's steadfast gaze, which appeared to search through the mist of years to discover the subject of the picture, her curiosity was excited.

'Is it known, my dear uncle,' inquired she, 'what this old picture once represented? Possibly, could it be made visible, it might prove a masterpiece of some great artist—else why has it so long held such a conspicuous place?'

As her uncle, contrary to his usual custom, (for he was as attentive to all the humors and caprices of Alice as if she had been his own best beloved child,) did not immediately reply, the young Captain of Castle William took that office upon himself.

'This dark old square of canvas, my fair cousin,' said he, 'has been an heirloom in the Province House from time immemorial. As to the painter, I can tell you nothing; but, if half the stories told of it be true, not one of the great Italian masters has ever produced so marvellous a piece of work, as that before you.'

Captain Lincoln proceeded to relate some of the strange fables and fantasies, which, as it was impossible to refute them by ocular demonstration, had grown to be articles of popular belief, in reference to this old picture. One of the wildest, and at the same time the