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stand myself). But you begged me to "let myself go," "pour myself out on you." Can I take your strength and lean upon it, the tenderness you promise me and revel in it, all that I believe you are offering me, and give you nothing? I am mean, afraid of giving. It all came so quickly, so unexpectedly. I have never had a real companion. Never, never, never even as a child been wholly natural with anybody, posing always. The only daughter of a millionaire with more talent than she ought to have, a shy soul behind a brazen forehead, is in a difficult position. To undrape that shy soul of mine as you so nearly make me do, unwillingly—but it might happen—makes me shiver. That's why I ran away, I want to be isolated, to stand alone. Here is the truth again, not at the bottom of a well, but at the end of an interminable letter. I am afraid of pain, and this intimacy presages it. You cannot be all I think you. I don't want to be near enough to see your clay feet.

I am going to get some picture postcards with small space for writing; this MS. paper demoralises me.


Margaret Capel.

No. 15.

Will you ever know what your dear wonderful letter has given me? I passed through moments of doubt, of bewildered unbelief into a golden trance of joy and hope. And as again and again I read it some of your far braver personality fills me, and I refuse to think this new spring of hope is a mere