indeed much of the chill of fallen fortunes; but there was no concession in its humility and no hypocrisy in its welcome. It was magnificent and shabby, and the eyes of the dozen dark old portraits seemed, in their eternal attention, to count the cracks in the pavement, the rents in the seats of the chairs, and the missing tones in the Flemish tapestry. Above the tapestry, which, in its turn, was above the high oak wainscot, most of these stiff images—on the side on which it principally reigned—were placed; and they held up their heads to assure all comers that a tone or two was all that was missing, and that they had never waked up in winter dawns to any glimmer of bereavement, in the long night, of any relic or any feature. Such as it was, the company was all there; every inch of old oak, every yard of old arras, every object of ornament or of use to which these surfaces formed so rare a background. If the watchers on the walls had ever found a gap in their own rank, the ancient roof, of a certainty, would have been shaken by their collective gasp. As a matter of fact it was rich and firm—it had almost the dignity of the vault of a church. On this Saturday afternoon in August, a hot, still day, such of the casements as freely worked in the discoloured glass of the
