Page:Types of Scenery and Their Influence on Literature.djvu/19

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formations in regard to composition and structure never pass a restricted limit. Essentially soft and easily decomposable, the rocks include no thick bands of much harder material than the rest, such as might project in prominent features. The prevailing characteristic of the topography is therefore unbroken placidity. Nowhere does any ruggedness obtrude itself. No part of the ground towers abruptly above or sinks suddenly beneath the general level. The successive ranges of low hills have rounded summits and smooth slopes, which, even when steep, seldom allow naked rock to appear, but conceal it everywhere under a carpet of herbage. So gentle is the inclination of the ground, from the watersheds to the coast, that the drainage winds in sluggish streams that often hardly seem to flow. 'Purling brooks' are scarcely ever to be found. Since the running waters of the country have played no inconsiderable part in the inspiration of our poets, it is well worthy of remark that in the east and south-east of England the streams are, for the most part, silent. We shall see how strongly they are thus contrasted with the brooks that traverse the lowlands of the north.

Since the rocks of these eastern and southern districts decay into soils that are on the whole fertile, the surface is clothed with meadows, corn-fields, and gardens, while trees have been planted along the roads and fields, and in abundant patches of coppice and woodland. The country thus wears a verdant park-like aspect, which at once impresses the eye of a stranger who comes here either from the European continent or from America. Undoubtedly the progress of agri-