the 'Lord of the Isles,' and of 'Waverley,' 'Rob Roy,' and the other novels that depict scenes in the Highlands. Certainly no man ever did so much as Walter Scott to make the natural features of his native country familiar to the whole world. The literary charm which he threw over the hills and glens of Perthshire kindled a widespread enthusiasm for the more rugged aspects of nature, and gave a powerful stimulus to the slowly-growing appreciation of the beauty and grandeur of mountain-scenery.
Nevertheless it must be admitted that Scott's highland landscapes, though more prominent and detailed than those in his descriptions of the lowlands and uplands, were also more laboured and less spontaneous. His pictures are no doubt faithful and graphic, and each of them leaves on the mind a clear impression of the scene depicted. But their effect is produced rather by a multiplicity of touches than by a few masterstrokes of poetic insight and graphic delineation. Moreover they are all in one tone of colour, and lack that changeful diversity so characteristic of mountains. They are chiefly fine-weather portraits, as if the poet loved only summer sunshine among the hills, and had either never seen or cared not to portray their gloom, cloud, and storm. We are bound of course to remember that, after all, he was only an occasional visitor to the Highlands. He had not been born among them, and never lived long enough in their solitudes to become intimately versed in all their alternations of mood under changes of sky and season. He writes of them as an admiring and even enthusiastic spectator, but not as
