UNDER THE MICROSCOPE
shallow and barbarous myth of Prometheus."
Well may this incomparable critic, this unique and sovereign arbiter of thought and letters ancient and modern, remark with compassion and condemnation how inevitably a training in Grecian literature must tend to "emasculate" the student so trained: and well may we congratulate ourselves that no such process as robbed of all strength and manhood the intelligence of Milton has had power to impair the virility of Mr. Buchanan's robust and masculine genius. To that strong and severe figure we turn from the sexless and nerveless company of shrill-voiced singers who share with Milton the curse of enforced effeminacy; from the pitiful soprano notes of such dubious creatures as Marlowe, Jonson, Chapman, Gray, Coleridge, Shelley, Landor, "cum semiviro comitatu," we avert our ears to catch the higher and manlier harmonies of a poet with all his natural parts and powers complete. For truly, if love or knowledge of ancient art and wisdom be the sure mark of "emasculation," and the absence of any taint of such love or any tincture of such knowledge (as then in consistency it must be) the supreme sign of perfect manhood, Mr. Robert Buchanan should be amply competent to renew the thirteenth labour of Hercules.
"One would not be a young maid in his way
For more than blushing comes to."
Nevertheless, in a country where (as Mr.
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